This is a calm work.
I think of it as almost Baroque.
It is a mono-tonal composition in the scale for the
I Ching # 42 "Benefit" Scale tones: Bb, C, Dd, D, F, Gg, &
Ab.
Because of the choice of scale it sound like
Hovhaness, more than it sounds baroque. The melodies were formed by defining the
order in which the scale tones occurred in comparison to the natural over tone
series. Bb: 1, C: 9, Dd:19, D: 5, F: 3, Gb: 13, & Ab 7. I see no reason why
this shouldn't be performed with a natural (or actually flat Ab 7th overtone)
possible with harp.